Please use this identifier to cite or link to this item: http://univ-bejaia.dz/dspace/123456789/12842
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dc.contributor.authorYakhlef, Sarra-
dc.contributor.authorChioukh- Ait Benali, Ounissa (Directrice de thèse)-
dc.date.accessioned2019-09-18T13:31:44Z-
dc.date.available2019-09-18T13:31:44Z-
dc.date.issued2019-
dc.identifier.urihttp://univ-bejaia.dz/dspace/123456789/12842-
dc.descriptionOption : Literature and Civilizationen_US
dc.description.abstractThis research work undertakes a New Historicist reading of Harriet Beecher Stowe’s Uncle Tom’s Cabin (UTC) and Alan Paton’s Cry, the Beloved Country (CBC). In the light of the New Historicist literary theory, this comparative study analyses the significant historical, socio-political, and cultural influences that stimulated the production of these two literary artefacts. This present work also reveals the impact of Stowe and Paton’s personal experiences and mindsets on their literary style and approach in the above-cited novels. Based on the New Historicist theoretical formulationsen_US
dc.language.isoenen_US
dc.publisherUniversité de Bejaiaen_US
dc.subjectUncle Tom's Cabin, Harriet Beecher Stoween_US
dc.subjectCry, the Beloved Country, Alan Patonen_US
dc.subjectSlavery : Apartheid : New Historicisen_US
dc.titleA new historicist and comparative study of Harriet Beecher Stowe’s Uncle Tom’s Cabin and Alan Paton’s Cry, the Beloved Countryen_US
dc.typeThesisen_US
Appears in Collections:Mémoires de Master



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