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A new historicist and comparative study of Harriet Beecher Stowe’s Uncle Tom’s Cabin and Alan Paton’s Cry, the Beloved Country

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dc.contributor.author Yakhlef, Sarra
dc.contributor.author Chioukh- Ait Benali, Ounissa (Directrice de thèse)
dc.date.accessioned 2019-09-18T13:31:44Z
dc.date.available 2019-09-18T13:31:44Z
dc.date.issued 2019
dc.identifier.uri http://univ-bejaia.dz/dspace/123456789/12842
dc.description Option : Literature and Civilization en_US
dc.description.abstract This research work undertakes a New Historicist reading of Harriet Beecher Stowe’s Uncle Tom’s Cabin (UTC) and Alan Paton’s Cry, the Beloved Country (CBC). In the light of the New Historicist literary theory, this comparative study analyses the significant historical, socio-political, and cultural influences that stimulated the production of these two literary artefacts. This present work also reveals the impact of Stowe and Paton’s personal experiences and mindsets on their literary style and approach in the above-cited novels. Based on the New Historicist theoretical formulations en_US
dc.language.iso en en_US
dc.publisher Université de Bejaia en_US
dc.subject Uncle Tom's Cabin, Harriet Beecher Stowe en_US
dc.subject Cry, the Beloved Country, Alan Paton en_US
dc.subject Slavery : Apartheid : New Historicis en_US
dc.title A new historicist and comparative study of Harriet Beecher Stowe’s Uncle Tom’s Cabin and Alan Paton’s Cry, the Beloved Country en_US
dc.type Thesis en_US


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