A new historicist and comparative study of Harriet Beecher Stowe’s Uncle Tom’s Cabin and Alan Paton’s Cry, the Beloved  Country

dc.contributor.author	Yakhlef, Sarra
dc.contributor.author	Chioukh- Ait Benali, Ounissa (Directrice de thèse)
dc.date.accessioned	2019-09-18T13:31:44Z
dc.date.available	2019-09-18T13:31:44Z
dc.date.issued	2019
dc.identifier.uri	http://univ-bejaia.dz/dspace/123456789/12842
dc.description	Option : Literature and Civilization	en_US
dc.description.abstract	This research work undertakes a New Historicist reading of Harriet Beecher Stowe’s Uncle Tom’s Cabin (UTC) and Alan Paton’s Cry, the Beloved Country (CBC). In the light of the New Historicist literary theory, this comparative study analyses the significant historical, socio-political, and cultural influences that stimulated the production of these two literary artefacts. This present work also reveals the impact of Stowe and Paton’s personal experiences and mindsets on their literary style and approach in the above-cited novels. Based on the New Historicist theoretical formulations	en_US
dc.language.iso	en	en_US
dc.publisher	Université de Bejaia	en_US
dc.subject	Uncle Tom's Cabin, Harriet Beecher Stowe	en_US
dc.subject	Cry, the Beloved Country, Alan Paton	en_US
dc.subject	Slavery : Apartheid : New Historicis	en_US
dc.title	A new historicist and comparative study of Harriet Beecher Stowe’s Uncle Tom’s Cabin and Alan Paton’s Cry, the Beloved Country	en_US
dc.type	Thesis	en_US