The Traditional Gothic Elements and "Gothic Feminism" in W. Collins’ The Woman in White (1859) and S. Hill’s The Woman in Black (1983)

dc.contributor.author	Ibelaiden, Sihem
dc.contributor.author	Tighzer-Arab, Naima (encadreur)
dc.date.accessioned	2018-01-03T08:20:50Z
dc.date.available	2018-01-03T08:20:50Z
dc.date.issued	2016
dc.identifier.uri	http://univ-bejaia.dz/dspace/123456789/5870
dc.description	Literature and civilization	en_US
dc.description.abstract	The theme of our dissertation is The Traditional Gothic Elements and "Gothic Feminism" in W. Collins?f The Woman in White (1859) and S. Hill?fs The Woman in Black (1983). Our aim in this dissertation is to compare the two novels through the use of "Gothic Feminism" as the major theory. Furthermore, this theory aims at acknowledging the situation of women during the 19.. and 20.. century, in which different social aspects were held in both novels Wilkie Collins?fs The Woman in White and Susan Hill's The Woman in Black	en_US
dc.language.iso	en	en_US
dc.publisher	University of Bejaia	en_US
dc.subject	Gothic : Sublime : Supernatural : Villain mystery : Distressed heroine eminism	en_US
dc.title	The Traditional Gothic Elements and "Gothic Feminism" in W. Collins’ The Woman in White (1859) and S. Hill’s The Woman in Black (1983)	en_US
dc.type	Thesis	en_US